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Right in the 1940s were synonymous with the Second World War of 1940 uniforms fancy dress is synonymous with World War II. However, be fooled into thinking they are just the kind of clothes from the forties there. Today, there are many other types of clothing Halloween 1940 to choose from, including vintage clothing 1940, so you should certainly look around to consider wearing a costume of the period.

Then we set three different types of Halloween costumes of 1940, which which is readily available on online sites that specialize in 1940 camouflage dress. It is expected that these tips will help you a forties style dress to wear to the party this year which is perfect for you.

Idea: Second Costume World War One

There is quite a wide range of really looking clothes of World War II to choose now. Usually there is a choice between the British army camouflage clothes, the United States and even the forces German, as well as Britain and the U.S. Navy and Air Force team. A particular favorite to take into account is that the British Raf's costume, which is often terraces seen in international football matches in England and became very popular in a Halloween costume.

Two ideas: 1940 Costumes

40 is also a period of potion, with the pin coming up at the scene for the first time. There are a range of 1940 Pin Up girl clothes to choose, such as Girl cigarettes, and of course sexy naughty Medic variations throughout World War II type of suits. It is true that all warm-blooded people like to see a good women in uniform, so it should come as no surprise that the suits Sexy Costume World War II are among the most popular team in the Halloween festivities.

Three ideas: vintage 1940 Outfits

During the war, fashion was largely dictated by rationing and 'make do and fix "way of thinking. However, at the end of the decade, such as rationing relaxed fashion and clothing, has largely been an attractive built. Some of the original pieces are available in specialized online stores. Although usually more expensive than regular fancy dress 1940, if you can afford the original 1940 vintage clothing, then it is a great way to pick a team and really quite unique to the issue of Halloween or costume party.

Where can you find 1940’s Halloween costumes like these?

1940’s Fancy Dress features all of the different 1940’s Halloween costumes mentioned in this article and many more.

A Word Or Two About The Author

Dan Fresh is a lifelong fancy dress aficionado who regularly writes for the popular FancyDressUK website.

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Bugs Bunny

History

The unnamed, prototype Warner Bros. rabbit

Main article: Evolution of Bugs Bunny

An unnamed rabbit bearing some of the personality, if not physical characteristics of Bugs, first appeared in the cartoon short Porky’s Hare Hunt, released on April 30, 1938. Co-directed by Ben Hardaway and an uncredited Cal Dalton (who was responsible for the initial design of the rabbit), this short had a theme almost identical to that of the 1937 cartoon, Porky’s Duck Hunt (directed by Tex Avery), which had introduced Daffy Duck. Porky Pig was again cast as a hunter tracking another silly prey who seemed less interested in escape than in driving his pursuer insane; this short replaced the black duck with a small white rabbit. The rabbit introduces himself with the odd expression “Jiggers, fellers”, and Mel Blanc gave the rabbit nearly the voice and laugh that he would later use for Woody Woodpecker. This cartoon also features the famous Groucho Marx line that Bugs would use many times: “Of course you know, this means war!” The rabbit developed a following from the audience viewing this cartoon which inspired the Schlesinger staff to further develop the character.

First incarnation of the rabbit debuts in Porky’s Hare Hunt (1938)

The rabbit’s second appearance came in 1939’s Prest-O Change-O, directed by Chuck Jones, where he is the pet rabbit of unseen character Sham-Fu the Magician. Two dogs, fleeing the local dogcatcher, enter his absent master’s house. The rabbit harasses them, but is ultimately bested by the bigger of the two dogs.

His third appearance was in another 1939 cartoon, Hare-um Scare-um, directed by Dalton and Hardaway. This short, the first where he was depicted as a gray bunny instead of a white one, is also notable both for the rabbit’s first singing role. Charlie Thorson, lead animator on the short, was the first to give the character a name. He had written “Bugs’ Bunny” on the model sheet that he drew for Hardaway, implying that he considered the rabbit model sheet to be Hardaway’s property. In promotional material for the short (such as a surviving 1939 presskit), the name on the model sheet was altered to become the rabbit’s own name: “Bugs” Bunny (quotation marks only used at the very beginning), evidently named in honor of “Bugs” Hardaway.

In Chuck Jones’ Elmer’s Candid Camera the rabbit first encounters Elmer Fudd. This rabbit has more of a physical resemblance to the present-day Bugs, being taller and having a more similar face. The voice for this rabbit, however, was not similar to the well-known Brooklyn-Bronx accent, but spoke in a rural drawl. In Robert Clampett’s 1940 Patient Porky, a similar rabbit appears to trick the audience into thinking that 750 rabbits have been born (however the design is of the earlier white rabbit).

In his later years, Mel Blanc stated that a proposed name was “Happy Rabbit”. Ironically, the only time the name “Happy” was used was in reference to Bugs Hardaway. In the cartoon Hare-um Scare-um, the newspaper headline reads, “Happy Hardaway”.

Bugs Bunny emerges

The official debut of Bugs Bunny in A Wild Hare (1940)

Bugs’ appearance in A Wild Hare, directed by Tex Avery and released on July 27, 1940, is considered the first appearance of both Elmer and Bugs in their fully developed forms. It was in this cartoon that he first emerged from his rabbit hole to ask Elmer Fudd, now a hunter rather than a photographer, “What’s up, Doc?” Animation historian Joe Adamson counts A Wild Hare as the first “official” Bugs Bunny short. It is also the first cartoon where Mel Blanc uses a recognizable version of the voice of Bugs that would eventually become the standard.

Bugs’ second appearance in Jones’ Elmer’s Pet Rabbit finally introduced the audience to the name Bugs Bunny, which up until then had only been used among the Termite Terrace employees. However, the rabbit here is absolutely identical to the one in Jones’ earlier Elmer’s Candid Camera, both visually and vocally. It was also the first short where he received billing under his now-famous name, but the card, “featuring Bugs Bunny”, was just slapped on the end of the completed short’s opening titles when A Wild Hare proved an unexpected success. He would soon become the most prominent of the Looney Tunes characters as his calm, flippant insouciance endeared him to American audiences during and after World War II.

Bugs would appear in five more shorts during 1941: Tortoise Beats Hare, directed by Tex Avery and featuring the first appearance of Cecil Turtle; Hiawatha’s Rabbit Hunt, the first Bugs Bunny short to be directed by Friz Freleng; All This and Rabbit Stew, directed by Avery and featuring a young African-American hunter (based heavily on racial stereotypes) as Bugs’ antagonist; The Heckling Hare, the final Bugs short Avery worked on before being fired and leaving for MGM; and Wabbit Twouble, the first Bugs short directed by Robert Clampett. Wabbit Twouble was also the first of five Bugs shorts to feature a chubbier remodel of Elmer Fudd, a short-lived attempt to have Fudd more closely resemble his voice actor, comedian Arthur Q. Bryan.

World War II

By 1942, Bugs had become the number one star of the Merrie Melodies series, which had originally been intended only for one-shot characters in shorts after several early attempts to introduce characters failed under Harman-Ising, but had started introducing newer characters in 1937 under Schlesinger. Bugs’ 1942 shorts included Friz Freleng’s The Wabbit Who Came to Supper, and the Robert Clampett shorts The Wacky Wabbit and Bugs Bunny Gets the Boid (which introduced Beaky Buzzard). Bugs Bunny Gets the Boid also marks a slight redesign of Bugs, making his front teeth less prominent and his head rounder. The man responsible for this redesign was Robert McKimson, at the time working as an animator under Robert Clampett. The redesign at first was only used in the shorts created by Clampett’s production team but in time, it would be adopted by the other directors, with Freleng and Frank Tashlin the first to adopt this design. Upon his own promotion to director, McKimson created yet another version with more slanted eyes, longer teeth and a much larger mouth, which he (and, for the one Bugs Bunny cartoon he directed, Art Davis) used until 1949, when he started using the version he had designed for Clampett. Jones would come up with his own slight modification, and the voice as well would vary mildly between the units.

An alternate version of Bugs used by Robert McKimson and Art Davis between 1946 and 1949.

Other 1942 Bugs shorts included Chuck Jones’ Hold the Lion, Please, Freleng’s Fresh Hare and The Hare-Brained Hypnotist (which restored Elmer Fudd to his previous size), and Jones’ Case of the Missing Hare. He also made cameo appearances in Tex Avery’s final Warner Bros. short, Crazy Cruise, and starred in the two-minute United States war bonds commercial film Any Bonds Today.

Bugs was popular during World War II because of his free and easy attitude, and began receiving special star billing in his cartoons by 1943. By that time, Warner Bros. was the most profitable cartoon studio in the United States. Like other cartoon studios, such as Disney and Famous Studios had been doing, Warners put Bugs in opposition to the period’s biggest enemies: Adolf Hitler, Benito Mussolini, and the Japanese. The 1944 short Bugs Bunny Nips the Nips features Bugs at odds with a group of Japanese soldiers. This cartoon has since been pulled from distribution due to its racial stereotypes.

Since Bugs’ debut in A Wild Hare, he had appeared only in color Merrie Melodie cartoons (making him one of the few recurring characters created for that series in the Leon Schlesinger era prior to the full conversion to color, alongside Elmer’s prototype Egghead, Inki, Sniffles, and Elmer himself – who was heard but not seen in the 1942 Looney Tunes cartoon Nutty News, and made his first formal appearance in that series in 1943’s To Duck or Not To Duck). While he did make a cameo appearance in the 1943 Porky and Daffy cartoon Porky Pig’s Feat marking his only appearance in a black-and-white Looney Tune cartoon, he did not star in a cartoon in the Looney Tunes series until that series made its complete conversion to only color cartoons beginning with 1944 releases. Buckaroo Bugs was Bugs’ first cartoon in the Looney Tunes series, and was also the last WB cartoon to credit Leon Schlesinger.

Among his most notable civilian shorts during this period are Bob Clampett’s Tortoise Wins by a Hare (the sequel to Tortoise Beats Hare from 1941), A Corny Concerto (a spoof of Disney’s Fantasia), Falling Hare, and What’s Cookin’ Doc?; and Chuck Jones’ Superman parody Super-Rabbit, and Freleng’s Little Red Riding Rabbit. The 1944 short Bugs Bunny and the Three Bears introduced Jones’ The Three Bears characters.

In the cartoon Super-Rabbit, Bugs was seen in the end wearing a USMC dress uniform. As a result, the United States Marine Corps made Bugs an honorary Marine Master Sergeant.

A scene from George Pal’s Jasper Goes Hunting (1944).

From 1943-1946, Bugs was the official “mascot” of Kingman Army Air Field, Kingman, Arizona, where thousands of aerial gunners were trained during World War II. Some notable trainees included Clark Gable and Charles Bronson. Bugs also served as the mascot for 530 Squadron of the 380th Bombardment Group, 5th Air Force, USAF, which was attached to the Royal Australian Air Force and operated out of Australia’s Northern Territory from 1943 to 1945, flying B-24 Liberator bombers.

In 1944, Bugs Bunny actually made a cameo appearance in Jasper Goes Hunting, a short produced by rival studio Paramount Pictures. In this cameo (animated by Robert McKimson, with Mel Blanc providing the voice), Bugs pops out of a rabbit hole, saying his usual catchphrase; Bugs then says, “I must be in the wrong picture” and then goes back in the hole. He also appeared fleetingly in the 1947 Arthur Davis cartoon The Goofy Gophers.

The post-war era

A scene from Bewitched Bunny (1954)

A slight variation of how the character was drawn in the 1950s can be seen in the frame from Bewitched Bunny (1954). The inner pinkish parts of the ears have been reduced becoming more v-shaped at the top end and the ovalness of the eyes also replaced with a more top v shaped look. His cheeks protrude out more, and body is more compacted, when compared how he was drawn in the 1940s, arising to the distinct look of how he is drawn today.

Since then, Bugs has appeared in numerous cartoon shorts in the Looney Tunes and Merrie Melodies series, making his last appearance in the theatrical cartoons in 1964 with False Hare. He was directed by Friz Freleng, Robert McKimson, Arthur Davis and Chuck Jones and appeared in feature films, including Who Framed Roger Rabbit (which featured the first-ever meeting between Bugs and his box-office rival Mickey Mouse), Space Jam (which co-starred Michael Jordan), and the 2003 movie Looney Tunes: Back in Action.

The Bugs Bunny short Knighty Knight Bugs (1958), in which a medieval Bugs Bunny traded blows with Yosemite Sam and his fire-breathing dragon (which has a cold), won the Academy Award for Best Short Subject: Cartoons of 1958. Three of Chuck Jones’ Bugs Bunny shorts–Rabbit Fire, Rabbit Seasoning, and Duck, Rabbit, Duck!— comprise what is often referred to as the “Duck Season/Rabbit Season” trilogy, and are considered among the director’s best works. Jones’ 1957 classic, What’s Opera, Doc?, features Bugs and Elmer parodying Wagner’s Der Ring des Nibelungen, and has been deemed “culturally significant” by the United States Library of Congress and selected for preservation in the National Film Registry. It was the first cartoon short to receive this honor.

Bugs appeared in the 1957 short Show Biz Bugs with Daffy Duck, which features a controversial finish in which Daffy Duck, in an attempt to wow the (partisan) audience, did a dangerous magical act in which he (in sequence) drank gasoline, swallowed nitroglycerine, gunpowder, and uranium-238 (in a greenish solution), jumped up and down to “shake well”, and finally swallowed a match that detonated the whole improbable mixture. That incident caused some TV stations, and in the 1990s the cable network TNT, to edit out the dangerous act, fearing that young kids might try to imitate it.

In the fall of 1960, The Bugs Bunny Show, a television program which packaged many of the post-1948 Warners shorts with newly animated wraparounds, debuted on ABC. The show was originally aired in prime-time. After two seasons, it was moved to reruns on Saturday mornings. The Bugs Bunny Show changed format and exact title frequently (the packaging was completely different, with each short simply presented on its own, title and all, though some clips from the new bridging material was used as filler), but it remained on network television for 40 years.

After the classic cartoon era

When Mel Blanc died in 1989, Jeff Bergman, Joe Alaskey and Billy West became the new voices to Bugs Bunny and the rest of the Looney Tunes, taking turns doing the voices at various times.

Bugs has also made appearances in animated specials for network television, mostly composed of classic cartoons with bridging material added, including How Bugs Bunny Won the West, and The Bugs Bunny Mystery Special. 1980’s Bugs Bunny’s Busting Out All Over, however, contained no vintage clips and featured the first new Bugs Bunny cartoons in 16 years. It opened with “Portrait Of The Artist As a Young Bunny”, which features a flashback of Bugs as a child thwarting a young Elmer Fudd, while its third and closing short was “Spaced Out Bunny”, with Bugs being kidnapped by Marvin the Martian to be a playmate for Hugo, an Abominable Snowman-like character (a new Wile E. Coyote and Road Runner short filled out the half hour). Also, there have been various compilation films, including the independently produced Bugs Bunny: Superstar (utilizing the vintage shorts then owned by United Artists), while Warner Bros. assembled The Bugs Bunny/Road Runner Movie, The Looney Looney Looney Bugs Bunny Movie, Daffy Duck’s Fantastic Island, Bugs Bunny’s 3rd Movie: 1001 Rabbit Tales and Daffy Duck’s Quackbusters. He also made guest appearances in episodes of the 1990s television program Tiny Toon Adventures as the principal of Acme Looniversity and the mentor of Babs and Buster Bunny, and would later make occasional guest cameos on spinoffs Taz-Mania, Animaniacs and Histeria!

He appears in the beginning of Gremlins 2: The New Batch, where he tries to ride the opening Warner Bros logo, but is interrupted by Daffy Duck.

Bugs has had several comic book series over the years. Western Publishing had the license for all the Warner Brothers cartoons, and produced Bugs Bunny comics first for Dell Comics, then later for their own Gold Key Comics. Dell published 58 issues and several specials from 1952 to 1962. Gold Key continued for another 133 issues. DC Comics, the sister/subsidiary company of Warner Bros., has published several comics titles since 1994 that Bugs has appeared in. Notable among these was the 2000 four-issue miniseries Superman & Bugs Bunny, written by Mark Evanier and drawn by Joe Staton. This depicted a crossover between DC’s superheroes and the Warner cartoon characters.

Bugs Bunny’s star on the Hollywood Walk of Fame.

Like Mickey Mouse for The Walt Disney Company, Bugs has served as the mascot for Warner Bros. Studios and its various divisions. He and Mickey are the first cartoon characters to have a star on the Hollywood Walk of Fame.

In the 1988 animated/live action movie Who Framed Roger Rabbit, Bugs is shown as one of the inhabitants of Toontown. However, since the film was being produced by Disney, Warner Bros. would only allow the use of their biggest star if he got an equal amount of screen time as Disney’s biggest star, Mickey Mouse. Because of this, both characters are always together in frame when onscreen. They appear in a scene where they are skydiving while Eddie Valiant (Bob Hoskins) has no parachute, so Bugs offers him a “spare” which turns out to be a spare tire. They appear in the end as well, along with all the other toons. For the same reasons, Bugs never calls Mickey by his name, only referring to him as “Doc” (while Mickey calls him “Bugs”).

Bugs Bunny came back to the silver screen in Box Office Bunny in 1990. This was the first Bugs Bunny cartoon short since 1964 to be released to theaters, and it was created for the Bugs Bunny 50th anniversary celebration. It was followed in 1991 by (Blooper) Bunny, a short that has gained a cult following among some animation fans for its edgy humor.

Bugs made an appearance in the 1990 drug prevention video Cartoon All-Stars to the Rescue. This special is notable for being the first time that somebody other than Mel Blanc voiced Bugs Bunny and Daffy Duck (they were voiced by Jeff Bergman.)

In 1997, Bugs appeared on a U.S. postage stamp, the first cartoon to be so honored, beating the iconic Mickey Mouse. The stamp is number seven on the list of the ten most popular U.S. stamps, as calculated by the number of stamps purchased but not used. The introduction of Bugs onto a stamp was controversial at the time, as it was seen as a step toward the ‘commercialization’ of stamp art. The postal service rejected many designs, and went with a postal-themed drawing. Avery Dennison printed the Bugs Bunny stamp sheet, which featured “a special ten-stamp design and was the first self-adhesive souvenir sheet issued by the U.S. Postal Service.”

A younger version of Bugs is the main character of Baby Looney Tunes, which debuted on Cartoon Network (United States) in 2002. In the action comedy Loonatics Unleashed, his definite descendant Ace Bunny is the leader of the Loonatics team and seems to have inherited his ancestor’s Brooklyn accent and comic wit. Lexi Bunny who is Lola Bunny’s confirmed descendant seems to be his second in command and likely love interest. Danger Duck, a descendant of Daffy, has a similar relation with him to that between Bugs and Daffy – envy (jealousy in the extreme case) mixed with a grudging respect.

Bugs has appeared in numerous video games, including the Bugs Bunny’s Crazy Castle series, Bugs Bunny Birthday Blowout, Bugs Bunny: Rabbit Rampage and the similar Bugs Bunny in Double Trouble, Looney Tunes B-Ball, Space Jam, Looney Tunes Racing, Looney Tunes: Space Race, Bugs Bunny Lost in Time, and its sequel, Bugs Bunny and Taz Time Busters, and Looney Tunes: Back in Action and the new video game Looney Tunes: Acme Arsenal.

Personality and catchphrases

Bugs has feuded with Elmer Fudd, Yosemite Sam, Marvin the Martian, Beaky Buzzard, Daffy Duck, Tasmanian Devil, Cecil Turtle, Witch Hazel, Rocky and Mugsy, Wile E. Coyote, Count Blood Count, and a host of others. Bugs almost always wins these conflicts, a plot pattern which recurs in Looney Tunes films directed by Chuck Jones. Concerned that viewers would lose sympathy for a protagonist who always won, Jones had the antagonist characters repeatedly attempt to bully, cheat or threaten Bugs who has been minding his own business. He’s also been known to break the 4th wall by “communicating” with the audience, either by explaining the situation (ex. “Be with you in a minute folks!”), describing someone to the audience (ex. “Feisty, ain’t they?”), etc.

Bugs will usually try to placate the antagonist and avoid conflict, but when an antagonist pushes him too far, Bugs may address the audience and invoke his catchphrase “Of course you realize, this means war!” before he retaliates, and the retaliation will be devastating. This line was taken from Groucho Marx and others in the 1933 film Duck Soup and was also used in the 1935 Marx film A Night at the Opera. Bugs would pay homage to Groucho in other ways, such as occasionally adopting his stooped walk or leering eyebrow-raising (in Hair-Raising Hare, for example) or sometimes with a direct impersonation (as in Slick Hare).

Other directors, such as Friz Freleng, characterized Bugs as altruistic. When Bugs meets other successful characters (such as Cecil Turtle in Tortoise Beats Hare, or, in World War II, the Gremlin of Falling Hare), his overconfidence becomes a disadvantage.

During the 1940s, Bugs was immature and wild, but starting in the 1950s his personality matured and his attitude was less frenetic. It’s worth noting, however, that some feel this shift in Bugs’s personality marked a significant decline in the quality of his cartoons. Though often shown as highly mischievous and violent, Bugs is never actually malicious, and only acts as such in self-defense against his aggressors; the only cartoon where Bugs ever served as a true villain was Buckaroo Bugs.

Bugs Bunny’s nonchalant carrot-chewing standing position, as explained by Chuck Jones, Friz Freleng, and Bob Clampett, originated in a scene in the film It Happened One Night, in which Clark Gable’s character leans against a fence, eating carrots rapidly and talking with his mouth full to Claudette Colbert’s character. This scene was well known while the film was popular, and viewers at the time likely recognized Bugs Bunny’s behavior as satire.

The carrot-chewing scenes are generally followed by Bugs Bunny’s most well-known catchphrase, “What’s up, Doc?”, which was written by director Tex Avery for his first Bugs Bunny short, 1940’s A Wild Hare. Avery explained later that it was a common expression in his native Texas and that he did not think much of the phrase. When the short was first screened in theaters, the “What’s up, Doc?” scene generated a tremendously positive audience reaction. As a result, the scene became a recurring element in subsequent films and cartoons. The phrase was sometimes modified for a situation. For example, Bugs says “What’s up, dogs?” to the antagonists in A Hare Grows in Manhattan, “What’s up, Duke?” to the knight in Knight-mare Hare and “What’s up, prune-face?” to the aged Elmer in The Old Grey Hare. He might also greet Daffy with “What’s up, Duck?” He used one variation, “What’s all the hub-bub, bub?” only once, in Falling Hare. Another variation is used in Looney Tunes: Back In Action when he greets a lightsaber-wielding Marvin the Martian- “What’s up, Darth?”

Several Chuck Jones shorts in the late 1940s and 1950s depict Bugs travelling via cross-country (and, in some cases, intercontinental) tunnel-digging, ending up in places as varied as Mexico (Bully For Bugs, 1953), the Himalayas (The Abominable Snow Rabbit, 1960) and Antarctica (Frigid Hare, 1949) all because he “shoulda taken that left toin at Albukoikee.” He first utters that phrase in Herr Meets Hare (1945), when he emerges in the Black Forest, a cartoon seldom seen today due to its blatantly topical subject matter. When Hermann Gring says to Bugs, “There is no Las Vegas in ‘Chermany’” and takes a potshot at Bugs, Bugs dives into his hole and says, “Joimany! Yipe!”, as Bugs realizes he’s behind enemy lines. The confused response to his “left toin” comment also followed a pattern. For example, when he tunnels into Scotland in 1948’s My Bunny Lies Over The Sea, while thinking he’s heading for the La Brea Tar Pits in Los Angeles, California, it provides another chance for an ethnic stereotype: “Therrre’s no La Brrrea Tarrr Pits in Scotland!” (to which Bugs responds, “Uh…what’s up, Mac-doc?”). A couple of late-1950s shorts of this ilk also featured Daffy Duck travelling with Bugs (“Since when is Pismo Beach inside a cave?!”).

Bugs Bunny has some similarities to figures from mythology and folklore, such as Br’er Rabbit, Nanabozho, or Anansi, and might be seen as a modern trickster (for example, he repeatedly uses cross-dressing mischievously). Unlike most cartoon characters, however, Bugs Bunny is rarely defeated in his own games of trickery. One exception to this is the short Hare Brush, in which Elmer Fudd ultimately carries the day at the end; however, critics note that in this short, Elmer and Bugs assume each other’s personalitieshrough mental illness and hypnosis, respectivelynd it is only by becoming Bugs that Elmer can win. However Bugs was beaten at his own game. In the short Duck Amuck he torments Daffy Duck as the unseen animator, ending with his line, “Ain’t I a stinker?” Bugs feels the same wrath of an unseen animator in the short Rabbit Rampage where he is in turn tormented by Elmer Fudd. At the end of the clip Elmer gleefully exclaims, ‘Well, I finally got even with that scwewy wabbit!”

Although it was usually Porky Pig who brought the WB cartoons to a close with his stuttering, “That’s all, folks!”, Bugs would occasionally appear, bursting through a drum just as Porky did, but munching a carrot and saying in his Bronx-Brooklyn accent, “And dat’s de end!”

The name “Bugs” or “Bugsy” as an old-fashioned nickname means “crazy” (or “loopy”). Several famous people from the first half of the twentieth century had that nickname. It is now out of fashion as a nickname, but survives in 1950s-1960s expressions like “you’re bugging me”, as in “you’re driving me crazy”.

Bugs wears white gloves which he is only known to remove in Long-Haired Hare. In this episode, Bugs pretends to be the famed conductor Leopold Stokowski and instructs opera star “Giovanni Jones” to sing and to hold a high note. As Giovanni Jones is turning red with the strain, Bugs slips his left hand out of its glove, leaving the glove hovering in the air in order to command Jones to continue to hold the high note. Bugs then nips down to the mail drop to order, and then to receive, a pair of ear muffs. Bugs puts on the ear defenders and then zips back into the amphitheater and reinserts his hand into his glove as singer Jones is writhing on the stage, still holding that same high note).

Bugs Bunny is also a master of disguise: he can wear any disguise that he wants to confuse his enemies: in Bowery Bugs he uses 5 disguises: fakir, gentleman, women, Baker and finally policeman. This ability of disguise makes bugs famous because we can recognize him while at the same time realizing that his enemies are trapped. Bugs has a certain preference for the female disguise: Taz, Elmer Fudd, Yosemite Sam were fooled by this sexy bunny (woman) and in Hare Trimmed, Sam discovers the real face of “Granny”(Bugs disguise) in the church where they attempt to get married.

Rabbit or hare?

The animators throughout Bugs’ history have treated the terms rabbit and hare as synonymous. Taxonomically they are not synonymous, being somewhat similar but observably different types of lagomorphs. Hares have much longer ears than rabbits, so Bugs might seem to be of the hare family, and many more of the cartoon titles include the word “hare” rather than “rabbit.” Within the cartoons, although the term “hare” comes up sometimes (for example, Bugs drinking “hare tonic” to “stop falling hare” and being doused with “hare restorer” to bring him back from invisibility), Bugs as well as his antagonists most often refer to the character as a “rabbit”. The word “bunny” is of no help in answering this question, as it is a synonym for both young hares and young rabbits.

In Nike commercials with Michael Jordan, Bugs had been referred to as “Hare Jordan.”

The opening and closing

In the opening of many of the Bugs Bunny cartoons, the Merrie Melodies and Looney Tunes rings contain Bugs Bunny’s head after the Warner Bros. shield (generally from 1944 and 1949 onward). Others have Bugs Bunny relaxing on top of the Warner Bros. shield: He chews on his carrot, looks angrily at the camera and pulls down the next logo (Merrie Melodies or Looney Tunes) like a window shade (generally on cartoons between 1945 until early 1949). Then he lifts it back up, to now be seen lying on his own name, which then fades into the title of the specific short. In some other cases, the title card sometimes fades to him, already on his name and chewing his carrot then fade to the name of the short. At the finish of some, Bugs breaks out of a drum (like Porky Pig) and says, “And that’s the end”.

Voice actors

The following are the many voice actors who have voiced the character Bugs Bunny over the last seventy years:

Mel Blanc voiced the character for 49 years, from Bugs’ debut in A Wild Hare (1940) until Blanc’s death in 1989. Blanc described the voice as a combination of Bronx and Brooklyn accents; however, Tex Avery claimed that he asked Blanc to give the character not a New York accent per se, but a voice like that of actor Frank McHugh, who frequently appeared in supporting roles in the 1930s and whose voice might be described as New York Irish. In Bugs’ second cartoon Elmer’s Pet Rabbit, Blanc created a completely new voice for Bugs, which sounded like a Jimmy Stewart impression, but the directors decided the previous voice was better. Though his best-known character was the carrot-chomping rabbit, munching on the carrots interrupted the dialogue. Various substitutes, such as celery, were tried, but none of them sounded like a carrot. So for the sake of expedience, he would munch and then spit the carrot bits into a spittoon rather than swallowing them, and continue with the dialogue. One oft-repeated story, possibly originating from Bugs Bunny: Superstar, is that he was allergic to carrots and had to spit them out to minimize any allergic reaction but his autobiography makes no such claim; in fact, in a 1984 interview with Tim Lawson, co-author of The Magic Behind The Voices: A Who’s Who of Cartoon Voice Actors (University Press of Mississippi, 2004), Blanc emphatically denied being allergic to carrots.

Jeff Bergman was the first to have the honor of voicing Bugs (and several other Looney Tunes characters) after Mel Blanc died in 1989. He got the job by impressing Warner Bros. higher-ups with a tape of himself re-creating the voices of several of Blanc’s characters, including Bugs Bunny. He had rigged the tape player so that he could use a switch to instantly toggle back and forth between the original recording of Blanc and Bergman’s recording of the same lines. Upon doing this, it was almost impossible for the producers to tell which voice was Blanc’s and which voice was Bergman; thus his vocal ability was established and his career launched.

Bergman first voiced Bugs during the 1990 Academy Awards and then in Box Office Bunny, a 4-minute Looney Tunes short released in 1990 to commemorate Bugs’ fiftieth anniversary. Bergman would next voice Bugs Bunny in the 1991 short (Blooper) Bunny, a Greg Ford-directed cartoon also produced to coincide with Bugs Bunny’s fiftieth anniversary. However, the short never received its intended theatrical release and was shelved for years, until Cartoon Network rediscovered it and broadcast it on their channel several years later. (Blooper) Bunny has since garnered a cult following among animation fans for its use of edgy humor. Other works for which Bergman provided Bugs’ voice include Invasion of the Bunny Snatchers (an obvious parody of the 1950s sci-fi classic Invasion of the Body Snatchers), Tiny Toon Adventures (a popular television program of the early nineties that featured the classic Looney Tunes characters as mentors to their younger counterparts) in the first season, and Cartoon All-Stars to the Rescue (a television special exposing children to dangers of marijuana). Bergman would continue to do the voice of Bugs Bunny until 1993.

Greg Burson first voiced Bugs in later episodes of Tiny Toon Adventures. He was then given the responsibility of voicing Bugs in 1995’s Carrotblanca, a well-received 8-minute Looney Tunes cartoon originally shown in cinemas alongside The Amazing Panda Adventure (US) and The Pebble and the Penguin (non-US); it has since been released on video packaged with older Looney Tunes cartoons and was even included in the special edition DVD release of Casablanca, of which it is both a parody and an homage. Burson next voiced Bugs in the 1996 short From Hare to Eternity; the film is notable for being dedicated to the memory of the then-just deceased Friz Freleng, and for being the final Looney Tunes cartoon that Chuck Jones directed. Greg Burson also provided Bugs’ voice in The Bugs and Daffy Show, which ran on Cartoon Network from 1996 to 2003. He died in 2008.

Billy West has been in television since the late 1980s. His first role was for the 1988 revived version of Bob Clampett’s Beany and Cecil. West’s breakthrough role then came almost immediately, as the voice of Stimpy and later Ren in John Kricfalusi’s Ren & Stimpy. West has since been the voice talent for close to 120 different characters, including some of the most iconic animated figures in television history. Perhaps West’s most notable film work came in the 1996 movie Space Jam. Starring alongside Michael Jordan, West provided the voice of both Bugs Bunny and Elmer Fudd. West would go on to reprise the roles of Bugs in subsequent Looney Tunes productions, including his cameos on Histeria!, the Kids’ WB! promotional spots, and the 2006 Christmas-themed special Bah, Humduck! A Looney Tunes Christmas and the DVD compilations “Reality Check” and “Stranger Than Fiction”, along with several Looney Tunes-centric CDs, cartoons, and video games. Billy West is, along with fellow voice artist Joe Alaskey, credited as one of the current successors of Mel Blanc in impersonating the voice of Bugs Bunny.

Joe Alaskey, like Jeff Bergman, is well-known for his ability to successfully impersonate many Looney Tunes characters. In fact, Alaskey voiced Yosemite Sam in Who Framed Roger Rabbit, as original voice actor Mel Blanc had found it too hard on his vocal cords. (This makes Sam one of the few voices created by Blanc to be voiced by someone else during his lifetime.) Joe Alaskey’s first performance as Bugs Bunny came in the 2003 feature film Looney Tunes: Back in Action, although he had tested performing the role in a few earlier projects, such as Tweety’s High-Flying Adventure. While still best known for providing the voice of Daffy Duck, Alaskey has also gone on to do Bugs’ voice in several subsequent productions, including Daffy Duck for President (which was released on The Looney Tunes Golden Collection: Volume 2 and dedicated to then-just deceased Chuck Jones) and several recent video games. Joe Alaskey is, along with fellow voice actor Billy West, credited as one of the current successors of Mel Blanc in impersonating the voice of Bugs Bunny.

Samuel Vincent served as the voice of Bugs in the Cartoon Network TV series Baby Looney Tunes.

Noel Blanc, Mel Blanc’s son, voiced Bugs for the Tiny Toons special It’s a Wonderful Tiny Toon Christmas Special. The elder Blanc claimed in his later years that Noel substituted for Mel in various cartoon studios, including doing Bugs at Warner Bros., while he was recovering from a near-fatal car wreck. Noel can also be seen doing Bugs’ voice with his father in the documentary on the making of the film Who Framed Roger Rabbit. Noel voiced Elmer Fudd in a cut-away scene for the animated TV series Family Guy (in “Stewie Griffin: The Untold Story”).

Cameos

Bugs Bunny has had cameo appearances in several cartoons, including one Private SNAFU short. For his appearance in The Goofy Gophers his voice was sped up.

Crazy Cruise (1942)

Porky Pig’s Feat (1943) This marks Bugs’ only appearance in a black-and-white Looney Tunes short.

Jasper Goes Hunting (1944, for Paramount)

Odor-able Kitty (1945)

The Goofy Gophers (1947)

The Lion’s Busy (1950)

Duck Amuck (1953)

Justice League: The New Frontier (2008, as one of the forms of The Martian Manhunter )

International

Bugs Bunny cartoons air in countries outside of the United States. In most cases, the original US cartoons are simply redubbed in the native language and the characters are usually given names more fitting for the country in which they are appearing. For example, in Finland, Bugs Bunny is called Viski Vemmelsri.

Current popularity

In 2002, TV Guide compiled a list of the 50 greatest cartoon characters of all time as part of the magazine’s 50th anniversary. Bugs Bunny was given the honor of number 1. In a CNN broadcast on July 31, 2002, a TV Guide editor talked about the group that created the list. The editor also explained why Bugs pulled top billing: “His stock…has never gone down…Bugs is the best example…of the smart-aleck American comic. He not only is a great cartoon character, he’s a great comedian. He was written well. He was drawn beautifully. He has thrilled and made many generations laugh. He is tops.” Additionally, in Animal Planet’s 50 Greatest Movie Animals (2004), Bugs was named #3, behind Mickey Mouse and Toto.

Bugs Bunny’s enduring impact on comedic actors also cannot be overestimated. During an interview for Inside the Actors Studio, comedian Dave Chappelle cited Bugs Bunny as one of his earliest influences, praising voice actor Mel Blanc.

According to Time Warner, Bugs Bunny became the current official mascot for Six Flags theme parks beginning with their 45th anniversary.

Awards

Academy Awards

Knighty Knight Bugs (1958)

Academy Award nominations

A Wild Hare (1940)

Hiawatha’s Rabbit Hunt (1941)

See also

List of Bugs Bunny cartoons

Looney Tunes

References

^ a b “Bugs Bunny tops greatest cartoon characters list”. CNN.com. 2002-07-30. http://archives.cnn.com/2002/SHOWBIZ/TV/07/30/cartoon.characters/index.html. Retrieved 2008-02-27. 

^ Carragher, Sarah (2002-07-29). “Nearly One-Third of TV Guide’s ‘50 Greatest Cartoon Characters Of All Time Come From Warner Bros.”. TimeWarner.com. http://www.timewarner.com/corp/newsroom/pr/0,20812,669402,00.html. Retrieved 2008-02-27. 

^ a b c Barrier, Michael (2003-11-06). Hollywood Cartoons: American Animation in Its Golden Age. United States: Oxford University Press. p. 672. ISBN 978-0195167290. 

^ “”Bugs Bunny’&#39″. Encyclopdia Britannica. Britannica.com. http://www.britannica.com/eb/article-9095426/Bugs-Bunny. Retrieved 2009-09-20. 

^ “Leading the Animation Conversation  Rare 1939 Looney Tunes Book found!”. Cartoon Brew. 2008-04-03. http://www.cartoonbrew.com/classic/rare-1938-looney-tunes-book-found. Retrieved 2009-09-20. 

^ a b Blanc, Mel; Bashe, Philip (1989). That’s Not All, Folks!. Clayton South, VIC, Australia: Warner Books. 

^ “Looney Tunes Hidden Gags”. Gregbrian.tripod.com. http://gregbrian.tripod.com/hidden/hid04.html. Retrieved 2009-09-20. 

^ Adamson, Joe (1990). Bugs Bunny: 50 Years and Only One Grey Hare. Henry Holt. ISBN 0-8050-1855-7. 

^ Lehman, Christopher P. (2008). The Colored Cartoon: Black Representation in American Animated Short Films, 1907-1954. Amherst, Massachusetts: University of Massachusetts Press. p. 73. http://books.google.com/books?id=xMWhTUFFuqoC&pg=PA73&lpg=PA73&dq=”any+bonds+today”+”bugs+bunny”+theatrical+cartoon&source=bl&ots=gEClzGwbx4&sig=P8w8dPT-Wy3Y0hZIDzIOrtT4rg0&hl=en&ei=qf2kSaW7NJm1jAeWk-XQBQ&sa=X&oi=book_result&resnum=10&ct=result#PPA73,M1. Retrieved 2009-02-25. 

^ Audio commentary by Paul Dini for Super-Rabbit on the Looney Tunes Golden Collection: Volume 3 (2005).

^ “History of the 380th Bomb Group”. 380th.org. http://380th.org/380-History.html. Retrieved 2010-01-07. 

^ a b “”Jasper Goes Hunting” information”. Bcdb.com. http://www.bcdb.com/cartoon/36556-Jasper_Goes_Hunting.html. Retrieved 2009-09-20. 

^ Looney Tunes: Bugs Bunny stamp. National Postal Museum Smithsonian.

^ “Transcript of ”Duck Soup””. Script-o-rama.com. http://www.script-o-rama.com/movie_scripts/d/duck-soup-script-transcript-marx.html. Retrieved 2009-09-20. 

^ “”It Happened One Night” film review by Tim Dirks”. Filmsite.org. http://www.filmsite.org/itha.html. Retrieved 2009-09-20. 

^ Adamson, Joe (1975). Tex Avery: King of Cartoons. New York: De Capo Press. 

^ a b Knight, Richard. “Consider the Source”. Chicagoreader.com. http://www.chicagoreader.com/movies/archives/2001/0101/010126.html. Retrieved 2009-09-20. 

^ “Piirroselokuvien taitaja Chuck Jones kuollut”. Mtv3.fi. February 23, 2002. http://www.mtv3.fi/uutiset/arkisto.shtml/arkistot/kulttuuri/2002/02/101933. Retrieved 2009-12-06. 

^ “List of All-time Cartoon Characters”. CNN.com. CNN. July 30, 2002. http://archives.cnn.com/2002/SHOWBIZ/TV/07/30/cartoon.characters.list/index.html. Retrieved April 11, 2007. 

^ “CNN LIVE TODAY: ‘TV Guide’ Tipping Hat to Cartoon Characters”. CNN.com. CNN. July 31, 2002. http://transcripts.cnn.com/TRANSCRIPTS/0207/31/lt.20.html. Retrieved April 11, 2007. 

Bibliography

Adamson, Joe (1990). Bugs Bunny: 50 Years and Only One Grey Hare. New York: Henry Holt. ISBN 0-8050-1855-7. 

Beck, Jerry; Friedwald, Will (1989). Looney Tunes and Merrie Melodies. New York: Henry Holt. ISBN 0-8050-0894-2. 

Blanc, Mel; Bashe, Philip (1989). That’s Not All, Folks!. Clayton South, VIC, Australia: Warner Books. ISBN 0-446-39089-5. 

Jones, Chuck (1989). Chuck Amuck: The Life and Times of an Animated Cartoonist. New York: Farrar Straus & Giroux. ISBN 0-374-12348-9. 

Maltin, Leonard (1987). Of Mice and Magic: A History of American Animated Cartoons (Revised ed.). New York: Plume Book. ISBN 0-452-25993-2. 

External links

Wikimedia Commons has media related to: Bugs Bunny

Wikiquote has a collection of quotations related to: Bugs Bunny

Bugs Bunny at the Internet Movie Database

Warner Bros. Studios

Bugs’ Toonopedia profile

v  d  e

Warner Bros. animation and comics

Looney Tunes,

Merrie Melodies

and other characters

Primary

Bugs Bunny  Daffy Duck  Porky Pig   Yosemite Sam  Speedy Gonzales  Elmer Fudd  Sylvester  Tweety  Granny  Wile E. Coyote and Road Runner  Foghorn Leghorn  Marvin the Martian  Tasmanian Devil  Pep Le Pew

Secondary

Babbit and Catstello  Bosko  Clyde Rabbit  Buddy  Goopy Geer  Evolution of Bugs Bunny  Foxy  Piggy  Beans  The Barnyard Dawg  Rocky and Mugsy  Hector the Bulldog  Henery Hawk  Melissa Duck  Goofy Gophers  Cecil Turtle  Sylvester, Jr.  Gabby Goat  Spike and Chester  Gossamer  Hippety Hopper  Marc Antony and Pussyfoot  Witch Hazel  The Three Bears  Hatta Mari  Hubie and Bertie  Claude Cat  Sniffles  Ralph Phillips  Beaky Buzzard  Willoughby  Charlie Dog  Pete Puma  Crusher  Count Blood Count  Private Snafu  Wolf and Sheepdog  Egghead Jr.  Slowpoke Rodriguez  K-9  Blacque Jacque Shellacque  Nasty Canasta  Bunny and Claude  Merlin the Magic Mouse and Second Banana  Quick Brown Fox and Rapid Rabbit  Cool Cat  Penelope Pussycat  Conrad the Cat  Playboy Penguin  Inki  Colonel Shuffle  Petunia Pig  Michigan J. Frog

Comics and TV shows

Lola Bunny  Honey Bunny  Wendell T. Wolf  Digeri Dingo  Daniel and Timothy Platypus  I.Q. Hi  Star Johnson  Queen Tyr’ahnee  Johnny Test characters

Television

animation

Tiny Toon Adventures

Babs and Buster Bunny  Plucky Duck  Hamton J. Pig  Montana Max  Elmyra Duff  Dizzy Devil  Furrball  Calamity Coyote  Little Beeper  Gogo Dodo  Sweetie Pie  Fifi La Fume  Shirley the Loon  Lil’ Sneezer  Concord Condor  Byron Basset  Bookworm  Fowlmouth  Arnold the Pit Bull  Barky Marky  Mary Melody

Animaniacs

Yakko, Wakko, and Dot  Ralph the Guard  Thaddeus Plotz  Dr. Otto Scratchansniff  Pinky and the Brain  Slappy Squirrel  Buttons and Mindy  The Goodfeathers  Rita and Runt  Chicken Boo  Mr. Skullhead  Minor characters

Other cartoons

Police Academy  Taz-Mania  Batman: The Animated Series  The Sylvester and Tweety Mysteries  The New Batman Adventures  Freakazoid!  Batman Beyond  The Dukes  Road Rovers  Ace Ventura: Pet Detective  Beetlejuice  The New Adventures of Zorro  Free Willy  The New Adventures of Batman  Pinky, Elmyra & the Brain  Histeria!  Baby Looney Tunes  Cartoon All-Stars to the Rescue (cameo appearance)  Duck Dodgers  Loonatics Unleashed (Characters)  The Batman  Ozzy and Drix  Mucha Lucha  Justice League  Justice League Unlimited  Legion of Super Heroes  Superman: The Animated Series  Teen Titans  Xiaolin Showdown  Tom and Jerry Tales  What’s New, Scooby-Doo?  Krypto the Superdog  Static Shock  Johnny Test  Shaggy & Scooby-Doo Get a Clue!  Batman: The Brave and the Bold  Scooby-Doo – Mystery, Inc.

v  d  e

Chicago Bulls

Founded in 1966 Based in Chicago, Illinois

The Franchise

Franchise Expansion Draft All-Time Roster Seasons Head coaches Current season

Arenas

International Amphitheatre Chicago Stadium United Center

Head Coaches

Kerr Motta Badger Costello Robertson Sloan Johnson Thorn Westhead Loughery Albeck Collins Jackson Floyd Berry Myers Cartwright Skiles Boylan Del Negro

D-League Affiliate

Iowa Energy

NBA Finals Appearances (6)

1991 1992 1993 1996 1997 1998

NBA Championships (6)

1991 1992 1993 1996 1997 1998

Retired Jerseys

4 10 23 33

Hall of Famers

George Gervin Robert Parish Nate Thurmond Phil Jackson Michael Jordan Jerry Sloan

Important Figures

Dick Klein Johnny Kerr Dick Motta Bob Love Jerry Sloan Norm Van Lier Chet Walker Clifford Ray Tom Boerwinkle Artis Gilmore Reggie Theus Charles Oakley Michael Jordan Scottie Pippen Bill Cartwright Horace Grant John Paxson B. J. Armstrong Toni Kuko Ron Harper Luc Longley Steve Kerr Dennis Rodman Phil Jackson Jerry Krause Jerry Reinsdorf Kirk Hinrich Ben Gordon Luol Deng Derrick Rose Joakim Noah

Key Personnel

Owner: Jerry Reinsdorf Vice President of Basketball Operations: John Paxson General Manager: Gar Forman Coach: Vinny Del Negro

Rivals

Boston Celtics Detroit Pistons New York Knicks Miami Heat

Culture & Lore

Hare Jordan and Air Jordan Hue Hollins The Shot Tommy Edwards Benny the Bull “Sirius” Ray Clay 72-10 The Flu Game Game 6 of the 1998 NBA Finals The Shot (1998 NBA Finals) “The Madhouse on Madison” “The Madhouse on Madison II”/”The House That Jordan Built” Ashland Green Line Station Game 6 of the 2009 NBA Playoffs First Round

Media

TV: WGN-TV WGN America WCIU Comcast SportsNet Chicago Radio: WMVP-AM Announcers: Neil Funk Stacey King Chuck Swirsky Bill Wennington

Persondata

NAME

Bunny, Bugs

ALTERNATIVE NAMES

SHORT DESCRIPTION

Looney Tunes character

DATE OF BIRTH

1940

PLACE OF BIRTH

Brooklyn, New York

DATE OF DEATH

PLACE OF DEATH

Categories: Corporate mascots | DC Comics titles | Dell Comics titles | Fictional anthropomorphic characters | Fictional characters from New York City | Fictional hares and rabbits | Gold Key Comics titles | Honorary United States Marines | Looney Tunes characters | 1940 introductionsHidden categories: Articles needing additional references from December 2007 | All articles needing additional references
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I recently spoke to a guy who was seriously interested in joining YourNetBiz. He asked me a few questions that I am asked time and time again by prospective team members, will I succeed? Can you guarantee my success and that I’m going to make lots of money! And if the opportunity is so good why isn’t everyone joining up?

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Lilach Bullock,

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Pretty new to the game so be gentle

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Wally Wood

Biography

Early life and career

Wally Wood was born on June 17, 1927, and began reading and drawing comics at an early age. He was strongly influenced by the art styles of Alex Raymond’s Flash Gordon, Milton Caniff’s Terry and the Pirates, Hal Foster’s Prince Valiant, Will Eisner’s The Spirit and especially Roy Crane’s Wash Tubbs. Recalling his childhood, Wood said that his dream at age six, about finding a magic pencil that could draw anything, foretold his future as an artist.

Former Wood Studio writer-artist Bhob Stewart’s 2003 biographical anthology. Cover art by Wood, from 1978.

Wood’s mother was his first publisher, in a sense, collecting his early drawings and binding them on her sewing machine into books. These early and mostly undated works still exist today because of her actions and offer a glimpse into his progression as a young artist.

Wood graduated from high school in 1944, signed on with the United States Merchant Marine near the end of World War II and enlisted in the U.S. Army’s 11th Airborne Paratroopers in 1946. He went from training at Fort Benning, Georgia, to occupied Japan, where he was assigned to the island of Hokkaid. Arriving in New York City with his brother Glenn and mother, after his discharge in July 1948, Wood found employment at Bickford’s as a busboy. During his time off he carried his thick portfolio of drawings all over midtown Manhattan, visiting every publisher he could find. He briefly attended the Hogarth School of Art (later changed to the Cartoonists and Illustrators School) but dropped out after one semester.

By October, after being rejected by every company he visited, Wood met fellow artist John Severin in the waiting room of a small publisher. After the two shared their experiences attempting to find work, Severin invited Wood to visit his studio, the Charles William Harvey Studio, where Wood met Charlie Stern, Harvey Kurtzman (who was working for Timely/Marvel) and Will Elder. At this studio Wood learned that Will Eisner was looking for a Spirit background artist. He immediately visited Eisner and was hired on the spot.

Over the next year, Wood also became an assistant to George Wunder, who had taken over the Milton Caniff strip Terry and the Pirates. Wood cited his “first job on my own” as Chief Ob-stacle, a continuing series of strips for a 1949 political newsletter. He entered the comic book field by lettering, as he recalled in 1981: “The first professional job was lettering for Fox romance comics in 1948. This lasted about a year. I also started doing backgrounds, then inking. Most of it was the romance stuff. For complete pages, it was $5 a page… Twice a week, I would ink ten pages in one day”.

Artists’ representative Renaldo Epworth helped Wood land his early comic-book assignments, making it unclear if that connection led to Wood’s lettering or to his comics-art debut, the ten-page story “The Tip Off Woman” [sic] in the Fox Comics Western Women Outlaws #4 (cover-dated January 1949, on sale late 1948). Wood’s next known comic-book art did not appear until Fox’s My Confession #7 (August 1949), at which time he began working almost continuously on the company’s similar My Experience, My Secret Life, My Love Story and My True Love: Thrilling Confession Stories. His first signed work is believed to be in My Confession #8 (October 1949), with the name “Woody” half-hidden on a theater marquee. He penciled and inked two stories in that issue: “I Was Unwanted” (nine pages) and “My Tarnished Reputation” (ten pages).

Wood began at EC co-penciling and co-inking with Harry Harrison the story “Too Busy For Love” (Modern Love #5), and fully penciling the lead story, “I Was Just a Playtime Cowgirl”, in Saddle Romances #11 (April 1950), inked by Harrison.

1950s

Sky Masters comic strip by Jack Kirby (pencils) and Wood (inks)

Working from a Manhattan studio at West 64th Street and Columbus Avenue, Wood began to attract attention in 1950 with his highly detailed and imaginative science-fiction artwork for EC and Avon Comics, some in collaboration with Joe Orlando. During this period, he drew in a wide variety of subjects and genres, including adventure, romance (which he really didn’t care for) war and horror; message stories (for EC’s Shock SuspenStories); and eventually satirical humor for writer/editor Harvey Kurtzman in Mad including a satire of the lawsuit Superman’s publisher DC filed against Captain Marvel’s publisher Fawcett called “Superduperman!” battling Captain Marbles.

Wood was instrumental in convincing EC publisher William Gaines to start a line of science fiction comics, Weird Science and Weird Fantasy (later combined under the single title Weird Science Fantasy). Wood penciled and inked several dozen EC science fiction stories, many considered classics. Wood also had frequent entries in Two-Fisted Tales and Tales from the Crypt, as well as the later EC titles Valor, Piracy and Aces High.

Working over scripts and pencil breakdowns by Jules Feiffer, the 25-year-old Wood drew two months of Will Eisner’s classic, Sunday-supplement newspaper comic book The Spirit, on the 1952 story arc “The Spirit in Outer Space”. Eisner, Wood recalled, paid him “about $30 a week for lettering and backgrounds on The Spirit. Sometimes he paid $40 when I did the drawings, too”.

Books illustrated by Wood

Between 1957 and 1967, he produced both covers and interiors for more than 60 issues of the science-fiction digest Galaxy Science Fiction, illustrating such authors as Isaac Asimov, Philip K. Dick, Jack Finney, C.M. Kornbluth, Frederik Pohl, Robert Silverberg, Robert Sheckley, Clifford D. Simak and Jack Vance. He painted six covers for Galaxy Science Fiction Novels between 1952 and 1958. His gag cartoons appeared in the men’s magazines Dude, Gent and Nugget. He inked the first eight months of the 1958-1961 syndicated comic strip Sky Masters of the Space Force, penciled by Jack Kirby. Wood expanded into book illustrations, including for the picture-cover editions (though not the dust-jacket editions) of titles in the 1959 Aladdin Books reissues of Bobbs Merrill’s 1947 “Childhood of Famous Americans” series.

The Silver Age/Bronze Age

Wood additionally did art and stories for comic-book companies large and small from Marvel (and its 1950s iteration Atlas Comics), DC (including House of Mystery and Kirby’s Challengers of the Unknown), and Warren (Creepy and Eerie), to such smaller firms as Avon (Strange Worlds), Charlton (War and Attack, Jungle Jim), Fox (Martin Kane, Private Eye), Gold Key (M.A.R.S. Patrol Total War, Fantastic Voyage), Harvey (Unearthly Spectaculars), King Comics (Jungle Jim), Atlas/Seaboard (The Destructor), Youthful Comics (Capt. Science) and the toy company Wham-O (Wham-O Giant Comics). In 1965, Wood, Len Brown, and possibly Larry Ivie created T.H.U.N.D.E.R. Agents for Tower Comics. He wrote and drew the 1967 syndicated Christmas comic strip, Bucky’s Christmas Caper. In 1970, he was a ghost artist for an episode of Prince Valiant.

Daredevil #7 (April 1964): Wood’s best-known work for Marvel, debuting Daredevil’s modern red costume

For Marvel during the Silver Age of comic books, Wood’s work as penciler-inker of Daredevil #5-8 and inker (over Bob Powell) of issues #9-11 established the title character’s distinctive red costume (in issue #7; see cover at left). When Daredevil guest-starred in Fantastic Four #39-40, Wood inked that character, over Jack Kirby pencils, on the covers and throughout the interior. Wood also penciled and inked the first four 10-page installments of the company’s “Dr. Doom” feature in Astonishing Tales #1-4 (August 1970 – February 1971), and both wrote and drew anthological horror/suspense tales in Tower of Shadows #5-8 (May-November 1970), as well as sporadic other work.

In one of his final assignments, Wood returned to a character he helped define, inking Frank Miller’s cover of Daredevil #164 (May 1980).

In circles concerned with copyright and intellectual property issues, Wood is known as the artist of the unsigned satirical Disneyland Memorial Orgy poster, which first appeared in Paul Krassner’s magazine The Realist. The poster depicts a number of copyrighted Disney characters in various unsavory activities (including sex acts and drug use), with huge dollar signs radiating from Cinderella’s Castle. Wood himself, as late as 1981, when asked who did that drawing, said only,”I’d rather not say anything about that! It was the most pirated drawing in history! Everyone was printing copies of that. I understand some people got busted for selling it. I always thought Disney stuff was pretty sexy… Snow White, etc.” Disney took no legal action against either Krassner or The Realist but did sue a publisher of a “blacklight” version of the poster, who used the image without Krassner’s permission. The case was settled out of court.

During the 1960s, Wood did many trading cards and humor products for Topps Chewing Gum, including concept roughs for Topps’ famed 1962 Mars Attacks cards prior to the final art by Bob Powell and Norman Saunders. Discovering (from Roy Thomas) that Jack Kirby had returned to DC in 1970, Wood called editor Joe Orlando in an attempt to get the assignment to ink Kirby’s new work, but that role was already filled by Vince Colletta. Wood continued to produce periodic work for Marvel during the early 1970s, primarily as inker, and then worked on a handful of comics for DC between 1975 and 1977, producing in particular several covers for Plop!, pencils and inks for issues of All Star Comics in which Wood contributed to the creation of Power Girl by giving her huge breasts and an opening of her costume in the chest which exposes the majority of her breasts, just covering her nipples. Also Wood inked (over Steve Ditko) on Paul Levitz’ four-issue miniseries Stalker. Active with the 1970s Academy of Comic Book Arts, Wood also contributed to several editions of the annual ACBA Sketchbook. His last known mainstream credit was inking Wonder Woman #269, cover-dated July, 1980.

Over several decades, numerous artists worked at the Wood Studio. Associates and assistants included Dan Adkins, Richard Bassford, Tony Coleman, Nick Cuti, Leo and Diane Dillon, Larry Hama, Russ Jones, Wayne Howard, Paul Kirchner, Joe Orlando, Bill Pearson, Al Sirois, Ralph Reese, Bhob Stewart, Tatjana Wood and Mike Zeck.

Wood as publisher

In 1966, Wood launched the independent magazine witzend, one of the first alternative comics, a decade before Mike Friedrich’s Star Reach or Flo Steinberg’s Big Apple Comix (for which Wood drew the cover and contributed a story). Wood offered his fellow professionals the opportunity to contribute illustrations and graphic stories that detoured from the usual conventions of the comics industry. After the fourth issue, Wood turned witzend over to Bill Pearson, who continued as editor and publisher through the 1970s and into the 1980s.

The Marvel Comics Art of Wally Wood (1982) collects his 1970s Dr. Doom and fantasy stories.

Wood additionally collected his feature Sally Forth, published in the U.S. servicemen’s periodicals Military News and Overseas Weekly from 1968-1974, in a series of four oversize (10″x12″) magazines. Pearson, from 1993-95, reformatted the strips into a series of comics published by Eros Comix, an imprint of Fantagraphics Books, which in 1998 collected the entire run into a single 160-page volume.[citation needed]

In 1969, Wood created another seminal independent comic, Heroes, Inc. Presents Cannon, intended for his “Sally Forth” military readership.[citation needed] Artists Steve Ditko and Ralph Reese and writer Ron Whyte are credited with primary writer-artist Wood on three features: “Cannon”, “The Misfits”, and “Dragonella”. A second magazine-format issue was published in 1976 by Wood and CPL Gang Publications. Larry Hama, one of Wood’s assistants, said, “I did script about three Sally Forth stories and a few of the Cannon’s. I wrote the main Sally Forth story in the first reprint book, which is actually dedicated to me, mostly because I lent Woody the money to publish it”.

In 1980 and 1981, Wood published two issues of a completely pornographic comic book, titled Gang Bang. It featured two sexually explicit Sally Forth stories, and sexually explicit versions of Disney’s Snow White and the Seven Dwarfs, titled So White and the Six Dorks; Terry and The Pirates, titled Perry and the Privates; Prince Valiant, titled Prince Violate; Superman and Wonder Woman, titled Stuporman Meets Blunder Woman; Flash Gordon, titled Flasher Gordon; and Tarzan titled Starzan. A third issue, published posthumously, reprinted Wood’s 1976-1977 Malice in Wonderland, from National Screw magazine, and other Wood material from Wally Wood’s Weird Sex-Fantasy (1977).[citation needed]

Final years

For much of his adult life, Wood suffered from chronic, unexplainable headaches. In the 1970s, following bouts with alcoholism, Wood suffered from kidney failure. A stroke in 1978 caused a loss of vision in one eye. Faced with declining health and career prospects, he committed suicide by gunshot three years later.

Wood was married three times. His first marriage was to artist Tatjana Wood, who later did extensive work as a comic-book colorist.

EC editor Harvey Kurtzman, who had worked closely with Wood during the 1950s, once commented, “Wally had a tension in him, an intensity that he locked away in an internal steam boiler. I think it ate away his insides, and the work really used him up. I think he delivered some of the finest work that was ever drawn, and I think it’s to his credit that he put so much intensity into his work at great sacrifice to himself”.

Awards

This section does not cite any references or sources.

Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2010)

National Cartoonists Society Comic Book Division awards, 1957, 1959, and 1965.

Alley Award, Best Pencil Artist,1965

Alley Award, Best Inking Work, 1966

Best Foreign Cartoonist Award, Angoulme International Comics Festival, 1978

The Jack Kirby Hall of Fame, 1989

The Will Eisner Award Hall of Fame, 1992

See also

List of Mad magazine issues

Audio

Merry Marvel Marching Society recording includes voice of Wally Wood

Footnotes

^ a b Stewart, Bhob, ed. Against the Grain: Mad Artist Wallace Wood. TwoMorrows Publishing, 2003. Trade paperback ISBN 1-893905-23-3, hardcover ISBN 1-893905-28-4

^ Evanier, Mark, Mad Art (Watson Guptil Publications, 2002), p. 47; ISBN 0-8230-3080-6

^ Wally Wood interview, originally published in The Buyer’s Guide #403 (August 1, 1981), reprinted in Comic Book Artist #14 (July 2001); p. 18 of the latter.

^ Wood interview, Comic Book Artist #14, p. 19

^ Guthridge, Sue. Tom Edison, Boy Inventor. Illustrated by Wood. New York : Aladdin Books ; London : Collier Macmillan, 1986, c1959

^ Ivie, Larry, “Ivie League Heroes”, Comic Book Artist #14 (July 2001), pp. 64-68

^ Starger, Steve and J. David Spurlock, Wally’s World (Vanguard Productions, 2007), p. 177. ISBN 1-887591-80-X

^ Per Stan Lee in letters page, Fantastic Four #42 (September 1965)

^ Wood inked The Avengers #20-22 and the “Iron Man” feature in Tales of Suspense #71, both over penciler Don Heck, as well as the “Human Torch” feature in Strange Tales #134, over Powell, in 1965; Captain America #127, over Gene Colan, in 1970; Kull the Conqueror #1, over Ross Andru, and “Red Wolf” in Marvel Spotlight #1, over Syd Shores, in 1971; and The Cat #1, over Marie Severin, in 1972. He inked Kirby on the covers of Avengers #20-21 and The X-Men #14. The Grand Comics Database (see “References”, below) also cites “additional inks… uncredited” on the Kirby layouts and George Tuska pencil and ink work of the “Captain America” feature in Tales of Suspense #71.

^ The Realist Archive Project: The Realist #74 (May 1967): “The Disneyland Memorial Orgy”, by Paul Krassner and Wally Wood, pp. 12-13, with credits listed at archive’s May 1967 Contents Page

^ Comic Book Artist #14, p. 20

^ Ro, Ronin. Tales to Astonish: Jack Kirby, Stan Lee and the American Comic Book Revolution (Bloomsbury, 2004)

^ ComicBookDb: Wonder Woman #269. Accessed April 2, 2008

^ Wally Wood’s “The Misfits”, InternationalHero.co.uk

^ JoeGuide.com: “Larry Hama: Writer & Artist”, no date. Original link dead as of at least February 4, 2010. Web.Archive.com link.

^ EC Lives! The 1972 EC Fan-Addict Convention Book (privately published)

References

Wallace Wood and Wally Wood at the Grand Comics Database

Gilbert, Michael T. “Total Control: A Brief Biography of Wally Wood”, Alter Ego vol. 3, #8 (Spring 2001). WebCitation archive.

Wood, Wally. The Marvel Comics Art of Wally Wood. New York: Thumbtack Books, 1982, hardcover. ISBN 0-942480-02-3

External links

The Wally Wood Letters and photo album. WebCitation archive.

Stiles, Steve “Wallace Wood: The Tragedy of a Master S.F. Cartoonist”, SteveStiles.com, n.d. WebCitation archive.

“Comic Book Creators Trading Cards #3: Wally Wood” IsThisTomorrow.com, n.d.

Wally Wood (1927 – 1981) American Art Archives

“Wood”, BPIB.com (fan site), n.d.

v  d  e

Contributors to Mad

“The Usual Gang of Idiots”

Editors

Jerry DeFuccio  Al Feldstein  John Ficarra  Harvey Kurtzman  Nick Meglin

Writers

Anthony Barbieri  Dick DeBartolo  Desmond Devlin  Stan Freberg  Michael Gallagher  Stan Hart  Frank Jacobs  Tom Koch  Arnie Kogen  Ernie Kovacs  Barry Liebmann  Jay Lynch  Larry Siegel  Lou Silverstone  Mike Snider

Writer-Artists

Sergio Aragons  Dave Berg  John Caldwell  Duck Edwing  Al Jaffee  Don Martin  Paul Peter Porges  Antonio Prohas

Artists

Tom Bunk  Bob Clarke  Paul Coker  Jack Davis  Mort Drucker  Will Elder  Shary Flenniken  Tom Fowler  Drew Friedman  Russ Heath  Bernard Krigstein  Peter Kuper  Carol Lay  Hermann Mejia  Norman Mingo  Joe Orlando  Tom Richmond  Jack Rickard  John Severin  Angelo Torres  Rick Tulka  Sam Viviano  James Warhola  Basil Wolverton  Monte Wolverton  Wally Wood  George Woodbridge  Bill Wray

Photographers

Irving Schild

Related articles

Alfred E. Neuman   Mad  William M. Gaines

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So Prince Harry recieves medal?

Prince Harry received a military service medal on Monday after serving ten weeks in afghanistan.

Other service men and women from his 150 strong regimet recieved medals also.

Will EVERY soldier who returns home recieve medals also?…or is this a case of neputism and favouritism?
Barry M…so ALL service men and women receive such awards when they return home?
Barry S…sorry
I’ve never known a service man or woman that’s why I ask the question.

Being ignorant would be not to ask questions matey!

Hi ya
As far as i am aware every service man or woman that serves abroad in Afghan gets a medal. My husband did when he was in Kosovo years ago. I believe they are usually well earned as they are in a dangerous situation.

Prince Harry Military Drill